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find us
47 rue Charlot, 75003 Paris, France
Kikar Kedumim 14, Tel Aviv-Yafo, 68037, Israel
contact us
t. +33 (0)1 42 76 02 67
e. info@galeriecharlot.com
is the first gallery
in France exclusively dedicated to art
contemporary digital art.
is the
first gallery in
France exclusively
dedicated to art
digital
contemporary.
A Singular Selection. A pioneering vision. A lasting commitment.
For 15 years, we have championed contemporary digital art as a medium in its own right.
Digital art is neither a trend nor a
technological gadget. It is a medium in its
own right, with its masters, its codes,
its history. Since 2010, Galerie Charlot
has worked to give it the place it deserves
in the French and international
cultural landscape.
Digital art is neither
a trend nor a gadget
technological. It is a
medium in its own right,
with its masters, its
codes, its history.
Since 2010, Galerie
Charlot has worked to
give it the place it
deserves in the French
and international
cultural landscape.
The Space and the Spirit
Each artist we represent is chosen for the singularity of their approach and the rigour of their practice. We favour artists who explore the digital medium as a creative territory in its own right — not as a tool, but as a language. Our roster brings together international voices united by the same formal and conceptual standards.
Since 2011, Galerie Charlot has been committed to defending a form of art that was still little understood, often miscategorised, sometimes resisted. That commitment has not changed: to make visible what is emerging, to give time to practices that require it, and to build bridges between artists, institutions and audiences. We believe that digital art is not a genre apart — it is a condition of our time, and we have chosen to be its active witnesses.
Our exhibitions are conceived as experiences in their own right, never as simple arrangements. Each project is born from a prolonged dialogue with the artist — a conversation about space, time, intention — before becoming a scenographic proposition. We refuse the neutrality of the white cube when it erases what the work has to say. Whether it is a first solo show, a group exhibition or a participation in an international fair, each exhibition is conceived as an editorial gesture: a stance on what digital art can be today.
We work with artists at very different stages of their careers — some established, others formulating their first coherent language. What matters to us is the density of the proposition, not the reputation. Some of our most significant exhibitions have been firsts. It is in this space before recognition that something essential plays out, and it is there that we choose to be.
The Space and the Spirit
Each artist we represent is chosen for the singularity of their approach and the rigour of their practice. We favour artists who explore the digital medium as a creative territory in its own right — not as a tool, but as a language. Our roster brings together international voices united by the same formal and conceptual standards.
Since 2011, Galerie Charlot has been committed to defending a form of art that was still little understood, often miscategorised, sometimes resisted. That commitment has not changed: to make visible what is emerging, to give time to practices that require it, and to build bridges between artists, institutions and audiences. We believe that digital art is not a genre apart — it is a condition of our time, and we have chosen to be its active witnesses.
Our exhibitions are conceived as experiences in their own right, never as simple arrangements. Each project is born from a prolonged dialogue with the artist — a conversation about space, time, intention — before becoming a scenographic proposition. We refuse the neutrality of the white cube when it erases what the work has to say. Whether it is a first solo show, a group exhibition or a participation in an international fair, each exhibition is conceived as an editorial gesture: a stance on what digital art can be today.
We work with artists at very different stages of their careers — some established, others formulating their first coherent language. What matters to us is the density of the proposition, not the reputation. Some of our most significant exhibitions have been firsts. It is in this space before recognition that something essential plays out, and it is there that we choose to be.
2010
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
Création de la galerie et ouverture à Paris
Le point de départ indispensable.
2017
Ouverture de la Galerie Charlot à Tel Aviv
Le point de départ indispensable.
Anniversaire des 7 ans : performance, son, vidéo et exposition
2018
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
Artistes et Robots au Grand Palais, avec une œuvre historique de Manfred Mohr
Le point de départ indispensable.
2018 - 2019 . Coder le monde au Centre Pompidou, avec des œuvres d’Edmond Couchot et de Manfred Mohr
2020
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
Anniversaire des 10 ans : exposition collective et dîner réunissant artistes et collectionneurs
Le point de départ indispensable.
After Covid
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
Unvirtual, première exposition NFT à Paris — date exacte à confirmer
Le point de départ indispensable.
2022
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
Rétrospective de Christa Sommerer et Laurent Mignonneau au ZKM
Le point de départ indispensable.
Acquisition par la BnF d’une œuvre de Lauren Moffatt — titre et date à confirmer
2023
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
Prix Samuel de Champlain — lauréat·e et motif à préciser
Le point de départ indispensable.
Exposition personnelle de Jacques Perconte au Lieu Unique
2025
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
2010
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
2017
Ouverture de la Galerie Charlot à Tel Aviv
Le point de départ indispensable.
Anniversaire des 7 ans : performance, son, vidéo et exposition
Le point de départ indispensable.
2018
Artistes et Robots au Grand Palais, avec une œuvre historique de Manfred Mohr
Le point de départ indispensable.
2018 - 2019 . Coder le monde au Centre Pompidou, avec des œuvres d’Edmond Couchot et de Manfred Mohr
Le point de départ indispensable.
2020
Anniversaire des 10 ans : exposition collective et dîner réunissant artistes et collectionneurs
Le point de départ indispensable.
After
Covid
Unvirtual, première exposition NFT à Paris — date exacte à confirmer
Le point de départ indispensable.
2022
Rétrospective de Christa Sommerer et Laurent Mignonneau au ZKM
Le point de départ indispensable.
Acquisition par la BnF d’une œuvre de Lauren Moffatt — titre et date à confirmer
Le point de départ indispensable.
2023
Prix Samuel de Champlain — lauréat·e et motif à préciser
Le point de départ indispensable.
Exposition personnelle de Jacques Perconte au Lieu Unique
Le point de départ indispensable.
2025
Installation d’Éric Vernhes au 104, dans le cadre du festival Némo — titre exact à confirmer
Le point de départ indispensable.
2010
The gallery opens in Paris
Galerie Charlot opens its doors in Paris and devotes itself to contemporary creation, with a particular focus on artistic practices linked to digital media and new technologies.
2017
Galerie Charlot opens in Tel Aviv
The gallery inaugurates a new space in Tel Aviv. This opening extends its international activity and introduces its artists to new audiences.
The gallery’s 7th anniversary
To celebrate its seventh year, the gallery stages a multidisciplinary event bringing together performance, sound, video and exhibition — a chance to highlight the diversity of the practices it presents.
2018
Artists & Robots at the Grand Palais
Galerie Charlot takes part in the exhibition Artists & Robots, devoted to the relationship between artistic creation and technology. A historic work by Manfred Mohr is among the pieces on show.
2018–2019 — Coding the World at the Centre Pompidou
The exhibition Coding the World explores the place of code in artistic practice. Works by Edmond Couchot and Manfred Mohr bear witness to pioneering research in digital art.
2020
The gallery’s 10th anniversary
The gallery celebrates a decade of activity with a group exhibition bringing together several artists from its history, along with a dinner gathering artists and collectors for the anniversary.
After Covid
Unvirtual, the first NFT exhibition in Paris
With Unvirtual, the gallery explores the possibilities opened up by NFTs and new ways of presenting digital works. The project is presented as the first NFT exhibition in Paris; its exact date is still to be confirmed.
2022
Christa Sommerer & Laurent Mignonneau retrospective at ZKM
ZKM devotes a retrospective to Christa Sommerer and Laurent Mignonneau, looking back on their career and their interactive works combining art, science and technology.
A work by Lauren Moffatt acquired by the BnF
The Bibliothèque nationale de France adds a work by Lauren Moffatt to its collections. This acquisition helps preserve and showcase a creation at the crossroads of art and digital media. (Title and date of the work to be confirmed.)
2023
Samuel de Champlain Prize
The gallery or one of its artists is associated with the Samuel de Champlain Prize, which honours exchanges and ties between France and Quebec.
Jacques Perconte solo exhibition at Le Lieu Unique
Jacques Perconte presents a solo exhibition at Le Lieu Unique. His work with image and video reveals landscapes transformed by colour, movement and the possibilities of digital media.
2025
Eric Vernhes installation at Le 104, Némo festival
- As part of the Némo festival, an installation by Éric Vernhes is shown at CENTQUATRE-PARIS, within an event devoted to digital arts and contemporary forms of creation.
