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Fréquence Tissée is a solo exhibition by the New York artist duo LoVid. The exhibition explores the intersection between electronic technologies and craft-based art. LoVid uses handmade audio-video synthesizers to transform electronic signals into moving images, which they then translate into textiles, weavings, embroideries and visual works.

Founded in 2001 by Tali Hinkis and Kyle Lapidus, LoVid is a New York-based interdisciplinary artist duo who collaboratively develop projects across a range of media. Their work has been exhibited and presented internationally at institutions and venues including Gazelli Art House, Picture Theory Gallery, Various/Artists Gallery, the Musée d'arts de Nantes, the Buffalo AKG Museum, the Museum of the Moving Image, the Grand Rapids Museum, Art Blocks Curated, Postmasters Gallery, Honor Fraser Gallery, Klaus von Nichtssagend Gallery, Anthology Film Archives, MoMA, Issue Project Room, Science Gallery Dublin, The Jewish Museum in New York, the Daejeon Museum, Smack Mellon and the New Museum.
LoVid's projects have been supported by the Robert Rauschenberg Foundation, the Graham Foundation, Eyebeam, Harvestworks, Wave Farm, Rhizome, Franklin Furnace, the New York Foundation for the Arts (NYFA), the Lower Manhattan Cultural Center, the Experimental TV Center, the New York State Council on the Arts and the Greenwall Foundation.
Their work is held in numerous public and private collections, including those of the Whitney Museum of American Art, the Museum of the Moving Image, the Allen Memorial Art Museum, Le Random, the Parrish Art Museum, the Thoma Foundation, the Butler Institute of American Art and the Heckscher Museum of Art.
LoVid's interdisciplinary practice explores the often invisible or intangible dimensions of contemporary society, notably communication systems and biological signals. Their work questions the ways in which technology permeates human culture and shapes its evolution.
Through performance, participatory public art, craft technologies, textiles, printmaking, App Art, experimental video and immersive installations, LoVid combines diverse media with physical objects, geographical spaces and the dimension of the human gesture. At the heart of their approach lies a dialogue between hand-crafted engineering and traditional forms of art and craft, informed by a DIY (“Do It Yourself”) philosophy and aesthetic. This approach allows the duo to reflect on the role of manual production and the artistic gesture in an era increasingly shaped by machines and virtual experiences.
Alongside these craft processes, LoVid incorporates digital fabrication techniques and mechanised production methods, underlining the critical importance of interactions between human and machine in the digital age. Drawing on methodologies from art, science and technology, their multidisciplinary practice questions perceptions of time, place and identity in an ever more interconnected world.



























